Past Events
Divine poetry of π
Divine poetry of π
24.07.2025 - 31.05.2025
Bankley Studios,
Levenshulme
28.07.2025
Manchester Art Gallery
Installation and A series of performances by Erik Alalooga
Black Wall proposed an exhibition to the Estonian artist Erik Alalooga, containing a dialogue and interpretation of the elements which artists propose to convey an art installation that produces poetry, visual transforming them into honourable physical works of art in theatrical and dynamic contrasts
which will be an envision Bankley studios gallery, an experimental wise to explore the human imagination, goes beyond the simple material to consider an object for the complex elements of consumer society
Erik Alalooga is a hopeless machine addict. No matter what he starts to do or whatever he touches, the result is always a machine. He is a performance director, performer, sound artist, teacher and cultural manager living in Tallinn, Estonia. He is mostly known by exploration and application of DIY analog-technological solutions in his artworks. Since 2005, his focus has been on immediate relationships between human and machine.
"Everything around us can be represented and understood through numbers. If you graph the numbers of any system, patterns emerge." - Max Cohen, movie "Ï€", 1998
"I spent 40 years in searching for pattern in π, i found nothing" - Sol Robeson, movie "π“, 1998
Systems around us are evolving towards complexity. That needs as quick evolution of skills in creating and reading the patterns emerging in systems. Reading the patterns gives control over systems and makes their behaviour predictable. Human activities as a model of a system can be represented through patterns as effectively. Come to catch up of the exhibition
Shipping for decorate house
Shipping for decorate house
07.03.2025 - 09.03.2025
Shaftsbury Avenue,
London
26.07.2025
Islington Mill,
Salford
performances by Cartier and Dominic Parry Merrell
Cartier and Dominic Parry Merrell have collaborated in the past on several art projects featuring the exploration of the objects of the human condition. The performance proposed highlights a unique subject, present in many places, a physical image of Sculpture placed on a traditional family home sideboard or sill. A noble ornament or knick-knack for decorating designer furniture sets to bnbs.
The performance shall depict the reborn Greek ancestry tragedies adapted to contemporary life. The performance precedes with a looping length of the life scene, involving objects that represent the concepts of traditions and the myth theory. The intent is to build a vision of the analytical treatment of submission, to verify the existence of classic iconographic, of the myths that were the epic transformation of our plots. Inspired by Aeschylus’ Oresteia, the purpose of this is to engage the audience in an interactive mediation, to be flexible as well as reflective on tradition.
Bow Arts: Soho Connections
Over three days and across three floors at Shaftsbury Avenue, Bow Arts Artists presented a sprawling and vivid programme of events, installations, activations, and exhibitions put together by the artists themselves working inside Shaftesbury Avenue. Black Wall Collective was honoured to be invited to collaborate in this event.
Artists showcased artworks and works-in-progress inside their studio spaces and repurposed liminal office space alongside the live performances, talks and workshops.
WHICH HUMAN IS CORRECT?- part2
WHICH HUMAN IS CORRECT?
- part2
29.01.2025
Manchester Art Gallery,
Manchester
Overview of the evening
Following on from Which Human is Correct Part 1, Black Wall artists exhibit an even deeper dive into the complexities and contradictions of the human condition. This includes a sound installation designed to raise awareness of our different modes of hearing; Questions about everyday life and work; Reflection upon guilt, blame, judgement and forgiveness; Intriguing sculpture transportative and explorative of a different space by means of an artist-recorded soundscape; Fabric-based work examining the portrayal of different social classes in art; and in complete contrast a live installation exploring the possible evolution of alternative human futures; Live drawing symbolising the recurrent nature of life, death, control and freedom; Alternative perspectives on provocative paintings; and several performances.
